Rohingya women: voiceless among the voiceless Rohingya and their current cultural condition Postcolonial contradictions and humanitarian work Sites of craft: the Tasmanian Craft Fair and Islamic CairoĬhapter 6: The politics of craft and working without skill: Reconsidering craftsmanship and the community of practiceĬraftsmanship and the community of practiceĬhapter 7: From ‘making flowers’ to imagining futures: Rohingya refugee women innovate a heritage craft Louise Kon8aseti Laronde’s silk patchwork quiltĬhapter 3: Indigenous craft is political: Making and remaking colonizer–colonized relations in TaiwanĬonstructive ambiguities: ‘indigenous’ and ‘crafts’Ĭolonizing crafts in Taiwan: Japanese, nationalist and multiculturalist agendasĬhapter 4: Coexistence of craft and design in Turkey as two separate epistemesĬraft and design: vernacular versus industrialĬraft and design in Turkey: product differentiationĪ dialogical and expert-expert learning bondĬhapter 5: Leisure and livelihood: A Socioeconomic reading of craft in Australia and Egypt The politics of the Caughnawaga Exhibition The essays: legacy, practice and world viewĬhapter 1: Politics of tea furniture: Invention of ryuˉrei style in late-nineteenth-century JapanĪftermath: The way of tea as Japanese philosophyĬhapter 2: (Dis)playing politics: Craft and the Caughnawaga Exhibition, 1883 Introduction: Re-crafting an unsettled world
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